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Marc-Antoine Charpentier’s 1686 “David and Jonathan” brings ancient characters to life in this 2022 Chateau de Versailles production, brilliantly staged, danced, sung, and played.
I may not agree with some of the documentary’s spin, but the film gives the viewer a clear and entertaining picture of Eddie Durham’s long and important musical career.
The book’s most damaging and embarrassing charge against Charles Dickens: he was a reckless syphilitic who infected his wife and children.
Among the memorable films at Sundance 2024, a trio of music films led the way.
“Black Caesars and Foxy Cleopatras” celebrates Blaxploitation as a positive as well as a necessary turning point in American cinema.
“The Sweet East” is politically tame, though it is often entertaining, particularly when it depicts some distinctly American anxieties.
Two PBS documentaries paint a grim picture of the American soul.
This is a story about jazz that we only think we know: the book challenges our preconceptions with admirable restraint, and generously invites others to build on its work.
Hélène Grimaud’s performances of Brahms, Busoni, and Beethoven drew on the strengths of her boldly imaginative powers, which have only deepened over the past two decades.
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