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This is the third installment of Debra Cash’s coverage of events associated with the Institute of Contemporary Art’s Dance/Draw — this time around its an appreciation of the Trisha Brown Dance Company.
More comments on the movies in this year’s Boston Jewish Film Festival, including “Standing Silent,” a powerful documentary on child abuse in the orthodox Jewish community and an effective adaptation of David Grossman’s novel “The Book of Intimate Grammar.”
You see, Victor knows he is in a theater, telling stories. And he tells us this. His self-awareness as a performer gives him the freedom to be completely honest.
The New Century Chamber Orchestra’s ability to vividly bring to life music of delicate character was on full display in this concert, part of the 152nd Worcester Music Festival.
The second installment in Debra Cash’s coverage of the ICA’s ambitious Dance/Draw series.
The Australian Pink Floyd Show is a tribute band, but not just any tribute band. TAPFS is considered the best tribute band in the world today, a title they have defended since 1988.
More pithy reviews of Boston Jewish Film Festival fare, including some reflections on entries in the Short Films Competition.
The Boston Lyric Opera’s new production of “Macbeth,” with sets designed by John Conklin, is based on elements of a New York City Opera production and plays up the macabre elements of the story, which are many.
The nine tales found in “Maybe This Time” chart the unnerving psychological transformations of its characters. Its style forces us to reconsider our ways of reading and our childlike dependency on narrative authority.
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