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Musician Interview: Death From Above 1979 Celebrates the 20th Anniversary of its Classic Debut Album
This year marks “You’re A Woman, I’m A Machine”‘s 20th anniversary and, in homage, Death From Above 1979 has slowly but surely been releasing re-recorded tracks from the disc over the past few months.
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Tony Kahn’s memory is extraordinary, and his talents as a writer, illustrator, and designer are prodigious.
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“The Bibi Files” is a documentary that should be seen before its revelations, caught on tape, are overtaken by a larger war; the Palestinian no-budget drama “To a Land Unknown” presents a credible picture of refugee life.
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Two new wordless picture books feature animals as friends, revealing greater truths about community and the environment.
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In “Megalopolis,” we have Francis Ford Coppola, Titan of Cinema, unleashing his undiluted meditation on Roman History, US History, Political Rivalry and Cooperation, Urban Planning, Technology, Love, Marriage, etc.
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This year’s edition of Metalfest matched the fabled fests of yore – a point not lost on many of the bands that performed, many of them making note on stage that the metal world had somehow been made right again.
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Violinist Augustin Hadelich and pianist Orion Weiss prove that there is plenty of music written on these shores to explore, especially when you are not limited by region or style. Soprano Karen Slack and pianist Michelle Cann demonstrate the strength of Florence Price’s songs and arrangements.
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It’s the variety of sounds in Eva Cassidy’s repertoire, reinforced by her ability to use them with the utmost tact and control, that impresses this listener.
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Arts Remembrance: Saxophonist/Composer/Arranger Benny Golson –“I Remember Benny”
Benny Golson’s accomplishments were enormous and lasting.
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