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Arts Commentary: What Makes a Critic Tick? Harvard Business School Hasn’t a Clue

May 30, 2012
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I have read the Harvard Business School study about critics and it is clueless on so many levels about the craft and mechanics of reviewing that it is astonishing that major newspapers and magazines have taken it seriously.

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Jazz Preview / Commentary: The Alla Elana Cohen – Ran Blake Project

May 29, 2012
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It’s a worthy effort –- and, as a listener, how many times will you have the chance for real adventure inside a concert hall?

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Classical Music Sampler: June 2012

May 28, 2012
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Far from being a down month, June marks the start of New England’s summer classical music season.

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Coming Attractions in Rock: June 2012

May 28, 2012
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The month of May was a tough time for rock music in New England. With the impending death of WFNX and presumably local music radio show Boston Accents, there is now one less exposure avenue for our hometown heroes. Not to worry! New England musicians are of a hardy stock, and a little corporate control will never keep them down.

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Arts Appreciation: The Centenary of Australian Giant Patrick White

May 27, 2012
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Of the major 20th-century writers in English, Patrick White stands with the best, partly because he refused to repeat himself, and partly because he refuses to tell you everything, so that when you read him there is a sense of discovery.

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Author Interview: Jay Atkinson’s Memoirs of a Rugby-Playing Man — Remembrance of Punches Past

May 26, 2012
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If Wordsworth was right in saying that poetry is emotion recollected in tranquility, than a rugby memoir is a punch in the face reconsidered from a hospital bed.

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Fuse Commentary: Borne Back Ceaselessly into the Kitsch? A Glimpse of Baz Luhrmann’s Gatsby

May 26, 2012
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Judging by the trailer for The Great Gatsby, it looks as if director Baz Luhrmann’s habitual excess will overwhelm the lyrical beauty and subtle power of F. Scott Fitzgerald’s prose.

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Poetry Review: Ghassan Zaqtan’s Haunting Poetics of Suspension

May 25, 2012
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The poetry of Palestinian author Ghassan Zaqtan dwells in the space between life and death, memory and erasure, respite and continuous travel.

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Theater Review: Another Visit to “Ten Blocks on the Camino Real”

May 24, 2012
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Tennessee Williams’ stature amongst American playwrights may be more secure then it was when he died in 1983, but companies like Beau Jest, when they stage inspired productions of previously neglected works, are expanding our appreciation of what kind of a dramatist he was.

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Visual Arts Feature: Rembrandt, Rubens, the Beau Sancy, and the Jew

May 22, 2012
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The history of the Beau Sancy took me back to the years around 1640, when it passed into and out of the orbit of the greatest Netherlandish artists of the day, the Dutchman Rembrandt and the Brabander Rubens.

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