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Fiction Review: “Sarah Thornhill” — A Lyrical Song in the Australian Outback

June 27, 2012
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You are hardly aware of the historical facts. Kate Grenville internalizes them so completely in her novel there is not a sentence that “stinks of history,” as a friend of mine once said about whole historical fiction genre.

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Coming Attractions in Local Rock: July 2012

June 27, 2012
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With the first official heat wave behind us, summer is now in full swing and there is a ton happening musically in New England. This month local music shows off its diversity.

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Coming Attractions in Underground Music: July 2012

June 26, 2012
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July brings a solid list of rock shows — and one good electronic gig — full of intelligent dance music. You should trudge through the humidity and lightning to get to one of these shows. I’d particularly recommend Gary War.

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Film Review: “Portrait of Wally” — Art As ‘Holocaust Loot’

June 26, 2012
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“Portrait of Wally” makes for a wonderfully engaging documentary about art and postwar intrigue with stakes on both a personal and global scale.

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Theater Review: A Delightful Turn “Round and Round the Garden”

June 25, 2012
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British playwright Alan Ayckbourn does not build gag machines that spit out one-liners. He creates finely etched characters whose humor is rooted in their befuddled behavior and personalities.

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The Arts Fuse Turns 5: The Future of Arts Journalism is Now. Help Us Make it Happen.

June 24, 2012
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As a long time arts critic for print, broadcast, and the Web, the potential for cultural coverage online strikes me then and now as exhilarating. The challenge for The Arts Fuse is to foster dialogue that articulates the value of the arts in our lives.

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Short Fuse Film Commentary: Hello “Prometheus” — Cthulhu Calling

June 24, 2012
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There have been over twenty movie adaptations of H. P. Lovecraft stories, all nearly forgotten. And yet Lovecraft’s sensibility serves as a guide to much of today’s cinema.

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Jazz Review: Vocal Chameleon Theo Bleckmann Sings Kate Bush

June 24, 2012
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A critically acclaimed player in the New York avant-garde scene, Theo Bleckmann is clearly a Kate Bush connoisseur, and his commentary on her work was as compelling as the performances

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Fuse Theater Review: A Lame “Auld Lang Syne”

June 23, 2012
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Auld Lang Syne is the kind of poorly made play that withholds important and obvious elements of development in order to score artificial dramatic points late in the action.

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Fuse Update: The Gathering Storm

June 23, 2012
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Updated. The year 1962, the terminus of Richard Vacca’s new history of Boston jazz, marked an end to an era. Fifty years later, with the cutbacks in jazz programming at WGBH, are we approaching a similar inflection point?

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