Month: January 2019
Magos Herrera teamed up with the Brooklyn Rider string quartet to create a collection of music that makes its case for life, love, and liberation through its sheer beauty.
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Even an imperfect work-for-hire like Damaged Lives can show the touch of an artist.
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Richard Muti draws playing of full-blooded passion from Chicago Symphony Orchestra, Thierry Fischer conducts Camille Saint-Saëns with a sure hand, and violinist Tasmin Little’s new recording of neglected violin-and-piano pieces by mid- and late-Romantic women composers is terrific.
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Fuse writers Lucas Spiro and Matt Hanson once again bang their heads against the walls of some of art’s big questions.
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Eric Dolphy fully deserves the renewed attention that this important release demands.
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One of the key reasons that Sex Education works is due to its frank depictions of what sex, or lack thereof, is actually like in high school.
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What few signs of the rich culture embedded in Danza Orgánica’s artistic director and choreographer Marsha Parrilla’s heritage made token appearances.
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The Night Watch supplies a powerful kickoff for the Gamm Theatre’s 2019 season.
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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Jazz CD Preview and Survey: Years of Utter Beauty, Part 2
Part one of this survey looked at one upcoming performance and five CDs where music takes the leading role. This post looks at the other side of the coin, where the words are the wellspring for the music.
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