Visual Arts

Visual Arts Feature: A Workshop with Barry Moser, Abstract Bookwright

August 29, 2012
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Barry Moser’s decision to illustrate, in the end, is an extension of his probity. He would have been a fine abstractionist, but he found that he was better able to make art when he exiled himself from the kingdom of capital-A Art.

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Visual Arts Commentary: Boston Mural Stirs Controversy

August 18, 2012
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A mural painted on the side of a Big Dig ventilation structure in the Boston’s Financial District has generated enormous controversy.

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Visual Arts Essay: What is a Moment? — Two paintings of the wounded Eurydice by Jean-Baptiste Camille Corot

August 12, 2012
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Of course, I have no idea what was in Corot’s mind. But the juxtaposition of these images appears to me to present two different moments in time, perhaps adjacent ones, perhaps as close as possible, like adjacent frames of a film.

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Visual Arts Review: Ansel Adams — Water as Motion and Time

July 20, 2012
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By using water as a lens to explore Ansel Adams’s artistry, this exhibition makes his fascination with motion and time crystal clear.

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Visual Arts Feature: Rembrandt, Rubens, the Beau Sancy, and the Jew

May 22, 2012
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The history of the Beau Sancy took me back to the years around 1640, when it passed into and out of the orbit of the greatest Netherlandish artists of the day, the Dutchman Rembrandt and the Brabander Rubens.

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Book Review: Hey Look Me Over — “Just My Type”

May 16, 2012
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Simon Garfield’s tour of fonts, Just My Type, is a rollicking, sometimes snarky social history of the design decisions behind lettering from Gutenberg to the iPad.

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Coming Attractions: Jazz Week 2012 Update

May 2, 2012
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Swarms in the train station! Improv in the library! Video game hits and poetry! Must be Jazz Week–and there’s plenty more, including a major CD release by Argentinian bassist Fernando Huergo paying tribute to the land of the Albiceleste.

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“Anti-Entropy and Uncle Order”: A Dispatch from William Kentridge’s Sixth Norton Lectures

April 27, 2012
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Over the past 6 weeks William Kentridge has shown the form of the lecture itself to be obsolete. But over the course of his returns to the podium, he has shown us that the lecture’s fate is not so dire as he had induced us —- for seventy minutes at a stretch -— to believe.

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Visual Arts: Conservation Conundrums

April 26, 2012
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Art conservation is a very pragmatic field, full of compromises.

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Fuse Feature: “The Riddle behind the Riddle” — A Dispatch from William Kentridge’s Fifth Norton Lecture

April 20, 2012
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Mistranslation weaves through this lecture, for every translation is a mistranslation. But that is what makes them fruitful. As soon as we mis-hear or fail to understand, the brain constructs an instant bit of narrative to bridge the gap in understanding.

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