Visual Arts
I envision Rembrandt with chalk or pen always at hand, sketching from life and imagination constantly. This is also how he taught his pupils, who like him also produced numerous drawings related and unrelated to paintings or prints. Why do so many experts disagree? By Gary Schwartz In an earlier column I illustrated a large…
Read MoreHow many drawings by Rembrandt are around? More than many experts admit. The issue is not just a quibble over numbers. It has far-reaching consequences for our reconstruction of Rembrandt’s working method and our understanding of his art. The showdown is coming at a conference on the artist at the J. Paul Getty Museum in…
Read MoreFood was front and center in the here and hereafter. A sumptuous feast was in the offing. But what was for dinner in the afterlife? Chasing the whim of what food went with funerary art, after several blind alleys I landed at Oleana, the Inman Square restaurant invented by Ana Sortun, a Norwegian Seattle native.…
Read MoreVisual artist Carmen Sasso’s stimulating interpretation of life’s colorful evolutionary ebb and flow exudes plenty of color, detail and movement. Carmen Sasso’s “You’re Welcome,” at the Atlantic Works Gallery until December 28 By Yumi Araki The Atlantic Works Gallery, located in East Boston, MA, offers a magnificent view of Boston harbor. Yet even in competition…
Read MoreBy Gary Schwartz To the memory of Dan Tsalka. Among the acts of art vandalism blamed on the nineteenth century, one of the minor ones was actually undone fifteen years ago. It had to do with the dismemberment of a painting by Jan Steen of the wedding night of Sarah and Tobias, a story from…
Read MoreThe Posthuman Dada Guide: Tzara and Lenin Play Chess by Andrei Codrescu, Princeton University Press, 248 pages, $16.95. Reviewed by Harvey Blume In 1916, as Europe waged an horrific war that, nearly a century later, makes even less sense, if possible, than it did at the time, refugees, renegades, draft dodgers, opportunists, revolutionaries and artists…
Read MoreWhether you’re a Jungian or a Freudian, think Jung was a genius or charlatan, or even if you’re someone who’s never given much thought to psychotherapy, the exhibition on the “The Red Book” at New York City’s Rubin Museum of Art (which runs through February 15) is worth a visit. THE RED BOOK by C.G.…
Read MoreThe “Red Book” was Jung’s attempt to understand himself as well as the structure of the human personality in general and the relation of the individual to society and the community of the dead. THE RED BOOK by C.G. Jung. Edited by Sonu Shamdasani. English translation by Shamdasani, Mark Kyburz, and John Peck. W.W. Norton…
Read MoreAn examination of the the recent publication and translation (ninety years after it was begun) of C. G. Jung’s confessional meditation “The Red Book.” The volume stands in a select company of books that exerted an enormous influence on social and intellectual history even while it remained unpublished. THE RED BOOK by C.G. Jung. Edited…
Read MoreIt cannot be said that the average Omani was waiting for an exhibition of Rembrandt etchings. By Gary Schwartz “Frankincense from Oman and paintings by Rembrandt were both part of the good life in the 17th century.” That unlikely quotation is from the script of a film that I wrote and presented this summer to…
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