Visual Arts
Otto Piene’s art is at once appealing, accessible, and yet somehow unworldly: joyful mystery yoked to dynamic playfulness.
National Pride (and Prejudice) wants us to reexamine the relationship between a country’s iconic images and its not-so-reassuring realities.
At their best, the exhibitions at the restored, renovated, and expanded Cooper-Hewitt Museum explore the history and culture of design and decorative arts with transcendent panache.
Gagosian Gallery’s show Picasso & the Camera is the art bargain of the season.
As is the case with all public spaces, Magazine Beach reflects the sensibilities and desires of its users, who ruined, abandoned, embraced, and transformed the area.
Planes, Trains, and Automobiles at the MFA is a delightful exhibition dedicated to vehicular speed, mobility, style, and joy.
Visual Arts Commentary: The Telling Anonymity of Political Street Art
Highlighting the identity of artists is essential in art world journalism, but it appears to be unimportant when reporting on the artistic contributions to political street demonstrations.
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