Visual Arts
In a time when everyday seems like Wednesday, creative use of new media is a visual and experiential bridge to our new and hopefully innovative normal.
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Long live Fluxus, with its questionable boxes of ephemera, its baggy bags of soil, and its mad prankster sensibility.
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Aside from making generalities about “making good photographs” and “earning a living,” celebrated photographer Elliott Erwitt steadfastly refuses to be drawn out.
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The art of Blane De St. Croix comes at the viewer via a multivalent attack on the staggering challenges posed by irreparable climate change.
Read MoreVisual Arts Commentary: Street Furniture — The Dilemma of Making Urban Spaces Comfortable and Unique
The City of Boston needs to think seriously about maintaining its distinctive charm, and street furniture is a very powerful tool to that end, when strategically applied.
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An appreciation of a footbridge that intertwines nature with our humanity.
Today, our perception of the environment has become narrowed, defensive: the outside world has become worrisome, dangerous, aspirational, and changing.
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Take the poems slowly, enjoy the Cage-y silences, the concentrated words as they appear.
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Boston’s most celebrated piece of public art was one of 16 monuments irresponsibly defaced during the recent protests.
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Visual Arts Commentary: America’s Historical Monuments — Under Reconsideration
The Dwight D. Eisenhower Memorial is the latest product of our heated social/political/cultural debates about America’s memorials and their vision of the country’s past, present, and future.
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