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Host Elizabeth Howard talks to Jeannine Otis about her musical career and theater piece “Living in Hope,” developed from a writing workshop based on Otis’s book “The Gathering: City Prayers, City Hopes.”
Read MoreOpera Review: Arabs on the Operatic Stage — Meyerbeer’s 1814 Comic Opera about the Mysterious ‘East’
Long before the often-prejudicial portrayals of Middle Easterners in Hollywood films, opera composers crafted insightful works from 1001 Nights.
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With Tantura, brimming with evidence that will now be hard to suppress, director Alon Schwarz may have won an important battle in the war of conflicting narratives about Israel’s war of independence.
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Director Lana Wachowski seems less interested in telling a coherent story with fleshed out characters than she is in aggressively commenting on how we’re trapped in a cycle of reboots and remakes with no end in sight.
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Magic is a performative pursuit as demanding as high-wire acrobatics — yet a vocation lacking respect, perhaps for good reason.
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The series gives a fine overview of its selected artists, and it does an even better job of introducing the turbulence, torments, treasures, and trippiness of 1971 to audiences who didn’t live through it (or who can’t remember much of it, for whatever reason).
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Forget romance. Forget chemistry. Forget star-crossed lovers. At its heart, this Eurydice is concerned with the love between a father and a daughter.
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The presence of veteran drummer Jack DeJohnette ties together two new releases.
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With this satisfying album Lil Nas X has made one thing clear — he’s more than a meme.
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One of the great strengths of this Dune is that it humanizes its protagonists. They are detailed human characters, which makes their assuming the mask of the White Savior all the more troubling.
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