Theater
Jess Foster’s clever script takes the trope of “cars are like women” to its logical, though unexpected, extreme.
Read MoreThe humor of Toole’s novel, its enjoyment of puncturing surfaces and pretensions, has been reduced to punch-line humor and one-liners.
Read MorePerhaps the yuck factor of Night is a Room’s sexual proclivities elicits giggles as a cover for not knowing how or for whom to care.
Read MoreThe Huntington Theatre Company is giving Jeffrey Hatcher’s stage adaptation of the celebrated comic novel a congenial production.
Read MoreLiars and Believers have been creating, conceptualizing, and rehearsing this show for eighteen months—and the seasoning has paid off.
Read MoreA bewitching South African version of Bizet’s opera — performed with a distinctive blend of spunk and sass.
Read MoreHub Theatre Company’s production is artfully staged in a challenging, three-quarter round space.
Read More“Theater producers do not want to make their audience members uncomfortable and talking about race makes folks uncomfortable.”
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues