Theater
Daughter of a Cuban Revolutionary is at its most theatrically gripping when Marissa Chibas is caught up in her memories.
Long stretches of the evening ask the audience to listen to annoying children’s voices in the dark.
Maureen Keiller and Will Lyman have performed numerous staged readings of Oh God and their intimate knowledge of the text shows.
The School for Scandal hasn’t dated a jot: put Snake, Mrs. Candour, and Mrs. Sneerwell on Facebook and watch civilizations totter.
Based on a graphic novel, the brilliant Historia de Amor is unrelenting in its darkness. It’s as if we’re swimming in a pool of India ink.
Threesome is sharply written, bitingly funny, and ultimately devastating.
Zahdi Dates and Poppies demonstrates that the formal aspects of Noh can be adapted to contemporary American themes.
Willing Suspension Productions serves as a valuable counter-balance to American academia’s Shakespeare-centric curriculum.
Anne Washburn has a number of good ideas in this play, but the execution falls short.
Gina Gionfriddo’s would-be black comedy about the American worship of money and status is a misfire on all levels.
Music Commentary: Brian Wilson’s Legacy Thrives — 2026 Reissues Reviewed