Theater
The more we learn about Thomas’ characters and their lives, the more we like them and root for them.
Mark St. Germain’s drama is not about Cold War politics, but the question of whether a great man is (or need be) a good man.
The musical is a relentless, one hour and fifty minute excursion into the history of racial bias in America, from the cotton fields to the Civil Rights movement.
Though Kenneth Lin wrote Warrior Class in 2012, it is easy to see its resonances with the 2016 election cycle.
Tiger Style! blows by like a whirlwind — wordy, frivolous, and ultimately unsatisfying.
Alice Birch’s play/polemic about radical feminism resists Company One’s earnest-to-the-max interpretation.
“Theater is my pathway to sanity,” Melinda Lopez explains.
Despite an appearance by Satan, this is not all that frightening a yarn for Halloween, but the MRT’s production is absorbing nonetheless.
It’s the wild mind of puppeteer Paul Zaloom that’s really on display here.
Sarah Ruhl attempts, but fails, to discover illuminating similarities between the powerful then and now.
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