Theater
Flawed and perhaps overwrought, The Whipping Man is worth watching because of the intensity of its individual scenes.
This is an evening that, through an excess of imagination, makes as little sense as possible.
Alan Brody’s play is a pleasant valentine, and it will likely find a life in regional and community theaters.
A difficult balancing act: marrying art with the community-based traditions of everyday rural life.
There are just too many traumas on Hasfari’s checklist, too little time allotted to dramatic depth.
JAG Productions’ goal is to stage plays that reflect the lives of African-Americans — in Vermont, the second-whitest state in the nation.
Yes, Ripcord is candied, but there’s just enough astringency blended in to make the sugar sufficiently tangy.
4000 Miles is charming, insightful, and moving, an enjoyable anthropological study of contemporary American life across the generations.
Lope de Vega’s classic story of how the powerless stood up to authority — and won –deserves better treatment than clumsy caricature.
Theater Commentary: Trump, Julius Caesar, and Political Farce
If the ballyhoo around the Public Theater’s Julius Caesar is a sign of the times, then we have a lot more than Trump to fear.
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