Theater
I strongly advise you to explore the wizardry of Manual Cinema — its potential is considerable.
The Oregon Shakespeare Festival production of Othello lacks a tragic dimension not because it highlights Othello’s “Otherness,” but because it eschews any vestige of grandeur or nobility.
Director A. Nora Long’s decision to collaborate with an all female-identifying design team and crew underscores her commitment to a feminist vision.
This is yet another sentimental exercise in the mechanics of mother/daughter rapprochement
Heartland proffers a rare combination — it is a prescient history lesson that also works dramatically.
A Doll’s House, Part 2 comes off as a return to the barn — after the door has fallen off its hinges.
Despite its promising premise, Bess Wohl’s script is yet another wan exercise in genial domestic comedy.
While the push for diversity in casting is admirable, it’s not enough to resuscitate a script that feels dated, even regressive in its approach to historical storytelling.
I speak for the legions who benefitted from your friendship and your great energy and talent.
Theater Feature: Best Stage Productions of 2018
Our theater critics pick some of the outstanding productions of the year.
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