Theater
While the push for diversity in casting is admirable, it’s not enough to resuscitate a script that feels dated, even regressive in its approach to historical storytelling.
I speak for the legions who benefitted from your friendship and your great energy and talent.
The company’s staging is dynamic and vivacious, and the unconventional seating arrangements give audience members the chance to place themselves in the center of the action.
The success or failure of this show rests primarily on the physical presence, voice and acting of the actor playing the celebrated lyric tenor Roland Hayes.
Acclaimed playwright and screenwriter Michael Cristofer’s script is very open about portraying Emile Griffith’s sexuality.
The vacuousness of the digital world and the mainstream media is an easy target.
This musical hodgepodge at the American Repertory Theater could be called ‘Let’s Sing About Me (and Me, and Then More About Me).’
Peter Brook has decided to be more than a little stubbornly anti-theatrical in The Prisoner.
Hype Man is a complex and challenging treatment of race relations in the U.S.– indispensable viewing in these days of Trump.
Theater Feature: Best Stage Productions of 2018
Our theater critics pick some of the outstanding productions of the year.
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