Theater
George Bernard Shaw’s The Man of Destiny could be an evening of delight with a frisson of cerebral exercise.
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The Barrington Stage Company’s moving and fiercely energetic production brings West Side Story back to the stage with a bang.
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A newly published book of translations and two upcoming Boston-area stage productions confirms the enduring elemental power of Federico García Lorca.
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Commonwealth Shakespeare Company’s Richard III is a deft, gripping version of Shakespeare’s vision of malevolence, staged with verve and vision.
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August Strindberg’s Creditors turns out to be a play that speaks chillingly to our time.
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Atung and Moy have a lot to say about American history and culture — acutely informed by the playwright’s 21st century sensibility and identity politics.
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Diverting the resources of Boston’s regional theaters into the casino of Broadway undercuts the ideals that launched the regional theater movement.
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With this fun and irreverent staging of Cyrano, GSC Artistic Director Robert Walsh has thrown audiences a delightful curve.
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Hub Theatre Company’s production of The Taming is engaging, thanks in no small part to the hilarious performances of its three lead actors.
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Theater Commentary: Can Audiences Rescue Theater Criticism?
Will working with audiences encourage stage companies and theater artists to go beyond the status quo? Or just cement them into their sweet spots?
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