Theater
This was the first stage production in a while that had me on my feet at the end, and thinking and feeling about it long afterward.
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The Black Clown commands the vastness of the Loeb’s stage with an enviable energy.
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Sexy Laundry airs the linen of a twenty-five-year marriage from which the colors seem to have faded, and the whites yellowed.
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Mothers and Sons is one of veteran playwright Terrence NcNally’s finest works.
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Three theaters in the Berkshires offer differing views of the past.
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George Bernard Shaw’s The Man of Destiny could be an evening of delight with a frisson of cerebral exercise.
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The Barrington Stage Company’s moving and fiercely energetic production brings West Side Story back to the stage with a bang.
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A newly published book of translations and two upcoming Boston-area stage productions confirms the enduring elemental power of Federico García Lorca.
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Commonwealth Shakespeare Company’s Richard III is a deft, gripping version of Shakespeare’s vision of malevolence, staged with verve and vision.
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Theater Commentary: Can Audiences Rescue Theater Criticism?
Will working with audiences encourage stage companies and theater artists to go beyond the status quo? Or just cement them into their sweet spots?
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