Theater
Stephen Adly Guirgis has written a fine play about those who would blur their minds rather than admit just how tired they are.
Straight White Men features plenty of conflict, but most of this wrangling comes in the form of tiresome, repetitive familial bickering.
Eleanor Burgess’ The Niceties is an articulate, if structurally crabbed, expression of #blacklivesmatter anger as well as a millennial rebel yell.
The show’s attempt at satire comes off as blunt and lecture-heavy at times, but the production still manages to be an engaging comedy of manners.
The Beau Jest Moving Theater staging succeeds at conjuring up the genially comic spirit of the late Larry Coen, a bounteously talented actor and director.
The performer’s question is direct: has the talented orator anything to say about race in today’s America? The answer is a galvanizing yes.
This was the first stage production in a while that had me on my feet at the end, and thinking and feeling about it long afterward.
The Black Clown commands the vastness of the Loeb’s stage with an enviable energy.
Sexy Laundry airs the linen of a twenty-five-year marriage from which the colors seem to have faded, and the whites yellowed.
Mothers and Sons is one of veteran playwright Terrence NcNally’s finest works.
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