Theater
New Rep’s production of We Will Not Be Silent is an intelligent and profoundly moving work of theater.
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Broadway hasn’t seen a play this harrowing yet eminently enjoyable since August: Osage County.
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The SpeakEasy Stage production is intimate and emotionally satisfying, highlighting the musical’s strengths — its sharply witty book, memorable songs, and heartbreaking characters.
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The Peculiar Patriot may say it is about making us feel the human price of mass incarceration in America, but there is more than a little True Romance in the mix.
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Frankenstein is a gripping amalgamation of the elemental and the technological.
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Taylor Mac and Pirandello share the same goal: reveal the deadening vacuity at the heart of bourgeois society and the male ego.
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Most of the time, Actors’ Shakespeare Project’s production of Macbeth is compelling.
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This is a first-rate production of a true American classic.
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Some may find the Lise Meitner’s story cathartic, others may think it is frustratingly familiar.
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A comedy about slavery poses considerable challenges in our #blacklivesmatter times, but the characters bounce gleefully through endless rounds of verbal sparring.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues