Theater
“ignorance about those who have disappeared/ undermines the reality of the world.” — Zbigniew Herbert
The new Broadway revival of Kiss Me, Kate removes much of the objectionable material — and a lot of the fun
Not Medea is a stirring character portrait, a detailed examination of the ruthless demands society makes — and has always made — on women.
Dragon Lady ‘s power lies partly in its existential authenticity, the power of the personal.
A revival of Anna Ziegler’s absorbing and enlightening study of the brilliant British biophysicist Dr. Rosalind Franklin.
The women whose voices make up the play’s dialogue are Vermont or New Hampshire residents who have sought medical care at the local VA hospital.
J. B. Priestly’s shallow characterizations keep his vision of moneyed skullduggery mundane rather than monstrous.
The HTC’s Romeo and Juliet may be dressed in modern trappings, but the play’s elemental heart and soul are left fully intact.
To be truly effective black humor must have us laughing at something we fear, regret, or at the very least recognize.
Commonwealth Shakespeare Company’s production of Birdy is at its best when it focuses on the play’s central relationships.
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