Theater
Book lovers and filmgoers have long been able to sample art from anywhere they wish—to read a book in translation or to rent a DVD if they didn’t like the latest releases in the theaters. Now, because of HD, devotees of the stage will be able to roam the world. By Bill Marx. A Disappearing…
Read MoreParody is an art, and like any other art it calls for both imagination and technical skill. It is not enough for a parodist to detect absurdity in others. He must create something absurd himself—something deliberately, enjoyably absurd – John Gross, The Oxford Book of Parodies. The Method Gun by Kirk Lynn. Directed by Shawn…
Read MoreBy Bill Marx Can’t we get our unjustly neglected American playwrights right? A chance to see a marvelous, overlooked American play of the 1950s. And it is not by the prosaic William Inge. “When something seems ‘the most obvious thing in the world’ it means any attempt to understand the world has been given up.”…
Read MoreAs a musical, Rock of Ages may not be an innovative or brilliantly written work of art, but the show’s delightfully cheesy enthusiasm, self-deprecating humor, and talented cast make it very hard to resist, especially for fans of 80s rock. Rock of Ages. Book by Chris D’Arienzo. Directed by Kristin Hanggi. Music Direction by Brandon…
Read MoreLike just about everything nowadays, the word epic has been downsized, cut and packaged for the short-attention-span generation. Sure, there are ballyhooed mammoth projects, such as the recent films of James Cameron, but the director/producer pulled them off after years of preparation and with millions of dollars at his disposal. By Chantal Mendes. You want…
Read MoreOctober brings in epics from the classics (Shakespeare and Dickens), ghost stories from the classics (Poe, Henry James), a tragicomedy from a classic (O’Neill), and a comedy from a classic (Ben Jonson). Annie Baker, Ethan Coen, and the Rude Mechanicals provide some welcome respite from the tried-and-true. Given the state of the economy and the…
Read MoreThe Real Inspector Hound by Tom Stoppard. Directed by Jonathan Croy. Presented by Shakespeare & Company at the Bernstein Theatre, Lenox, MA, through November 7. Reviewed by Helen Epstein. If you are looking for a light, literate, zany evening of entertainment, you can do no better than Shakespeare & Company’s current production of Tom Stoppard’s…
Read MoreOnce again we are indebted to Wellesley College for bringing to town Actors From the London Stage (AFTLS). This is the fifth visit the 35-year-old institution has made here. Each fall five seasoned Shakespeareans from England take up residence at U.S. colleges for a week, conducting workshops and seminars with students. Reviewed by Caldwell Titcomb.
Read MoreSnobby and sober no more! Made up of singers who perform arias and duets in bars, Opera on Tap currently presents its innovative songfests in Chicago, New York, New Orleans, and Ann Arbor. Now the concept comes to Boston, with performances tomorrow and Monday night (September 26 and 27) at Oberon in Cambridge. Anne Ricci,…
Read MoreIt is with a strange malice/ that I distort the world. – Wallace Stevens, The Weeping Burgher Hard Headed Heart. Performed by Blair Thomas & Company. Sets, puppets, and scrolls by Blair Thomas. Translation of the Garcia Lorca play by Catherine Brown. St. James Infirmary puppets by Jess Mooney-Bullock. Curtains and costumes by Heidi Dakter…
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Arts Remembrance: In Memoriam — Tom Stoppard