Theater
By Helen Epstein No one reviews talks but I’ve just attended two by some highly gifted women that deserve wider notice. Director Anna Brownsted and actress Dana Harrison discussed their work on R.T. Rogers’ provocative play “White People” at Shakespeare & Company last week and author Brenda Wineapple gave a brilliant mini-seminar in American cultural…
Read MoreWhite People by J.T. Rogers. Directed by Anna Brownsted. At Shakespeare and Company, Lenox, Massachusetts, through September 4. By Helen Epstein What can possibly connect a reflective young History professor in New York’s Stuyvesant Town, a disconsolate Southern housewife and ex-homecoming queen, and a demanding Midwestern corporate lawyer? In J.T. Rogers’ powerful drama White People…
Read MoreIn a living society every day is a day of judgment; and its recognition as such is not the end of all things but the beginning of a real civilization. – George Bernard Shaw, “The Simpleton of the Unexpected Isles,” preface, 1936. Heartbreak House by George Bernard Shaw. Directed by Gus Kaikkonen. Presented by The…
Read MoreTHE THOMASHEVSKYS: MUSIC AND MEMORIES OF A LIFE IN THE YIDDISH THEATER. Written and hosted by Michael Tilson Thomas. Directed by Patricia Birch, with members of the Boston Symphony Orchestra at Tanglewood. by Helen Epstein I’m a fan of the serious introspective kind of memoir, that tries to wrest meaning from existential and emotional chaos.…
Read MoreBy Bill Marx Veteran “Village Voice” theater critic Michael Feingold has written a good column on the tragic news, for some, that the Broadway League and the American Theatre Wing, the organizations that jointly manage Broadway’s annual Tony Awards, have decided to remove the first-night theater press from the ranks of Tony voters. Some hand-wringers…
Read MoreThe Comedy of Errors by William Shakespeare. Directed by Steve Maler. Presented by Commonwealth Shakespeare Company at the Boston Common Parkman Bandstand, through August 16. Reviewed by Bill Marx Shakespeare can be punished by his own success. In “The Comedy of Errors” he juggles two sets of identical twins on stage with the dizzying aplomb…
Read MoreLike many devotees of Shakespeare & Company, I’ve long been an admirer of Tod Randolph, who over the last thirteen years in the Berkshires has given indelible and exceptionally intelligent performances of such Shakespearean roles as Desdemona and Portia. Miriam Hyman (Donna) and John Douglas Thompson (Dad) in “The Dreamer Examines his Pillow” at Shakespeare…
Read MoreBy Bill Marx George Kelly’s 1922 comedy about amateur theatrics gone wild is showing its age. The Torch-Bearers, by George Kelly. Adapted and directed by Dylan Baker. Presented by the Williamstown Theatre Festival, through August 9, 2009. Katie Finneran, Edward Herrmann, and Andrea Martin acting up a storm as amateur thespians in The Torch-Bearers. Critics…
Read MoreBy Bill Marx Kate Warner, the New Rep’s new Artistic Director, wants to strike a new balance. WGBH’s Jared Bowen is more of a publicist/fan than a journalist, but his recent “Greater Boston” interview with Kate Warner, the new Artistic Director of the New Repertory Theatre, gives the honcho a chance to talk about some…
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