Theater
By Bill Marx Now in its third year under the watchful eye of the admirable Whistler in the Dark Theatre, FeverFest presents a selection of Boston’s fringe groups in an evening of short performances, a sort of theatrical tasting event billed as a round up of “explosive work by vital young companies.” Tonight will be…
Read Moreby Bill Marx “The way of the Samurai is a natural way of the Universe, Ma, and to learn it, one must live one’s life from first to last in self-control. I know all about that stuff now.” — Wynne in Adam Rapp’s “Stone Cold Dead Serious” Just how far are American playwrights from dramatizing…
Read MoreBy Caldwell Titcomb The American Theatre Critics Association, which moves around the country for its annual convention, this year spent a recent week in the nation’s capital and environs. The area houses 75 theatres – 43 in the District of Columbia, 17 in nearby Maryland, and 15 in the contiguous portion of Virginia. From the…
Read MoreThose who think that accolades should go to the fresh or the marginal — work in Boston that could use the recognition rather than the usual suspects — will have a long wait.
Read MoreBy Bill Marx “Boston is adrift in the brave new competition among big American cities vying for tourist dollars.” Maureen Dezell, WBUR Maureen made that charge back in July 2006 in an article that turned out to be one of the last posts on the late WBUR Arts Online. Now that the quote, along with…
Read MoreBy Bill Marx The Huntington Theatre Company’s Breaking Ground Festival of new play readings turns five this year. The latest lineup runs through Sunday at the shindig’s venue, the Stanford Calderwood Pavilion at the Boston Center for the Arts. Scripts by Melinda Lopez, Ken Urban, Mat Smart and Nathan Louis Jackson, as well as a…
Read Moreby Bill Marx “Catharsis isn’t a wound being excavated from childhood.” – Sarah Ruhl NPR as well as New York theater critics think playwright Sarah Ruhl, the “Golden Ruhl” with “The Midas Touch,” is sure money in the artistic bank. A winner of a MacArthur “genius” grant and a Pulitzer Prize finalist in 2005 for…
Read MoreBy Caldwell Titcomb If you ask the British public who the foremost actors of the 20th century were, you will likely get the names of Sir John Gielgud, Sir Ralph Richardson, Sir Laurence Olivier (later Lord Olivier), and Sir Alec Guinness. You are not likely to hear the name of Paul Scofield, who died last…
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Theater Commentary: George Jean Nathan — The Divine Devil of American Theater Criticism
“The best of the regular theater critics … the brightest America ever had.” – Eric Bentley “Intelligent play-goer number one.” – George Bernard Shaw “The truth is that Mr. Nathan is both a theatrical storehouse, full of the most voluminous and astonishing information, and a whole theatre in himself. He maintains an impetus and lustre…
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