Theater
Arlekin Players Theatre’s “The Dybbuk” may not convince you of the supernatural, but director Igor Golyak is a magician.
This musical succeeds, at least in part, because it dares to shine a light on parts of our lives that we don’t like to talk about.
The creators of “Gatsby” have fashioned some inventive ways to make the story seem more contemporary. None of that, however, seems enough to justify the enormous amount of energy and talent that was expended in this production.
The Lyric Stage Company’s production of David Henry Hwang’s Obie award-winning play is serviceably absorbing.
Despite its undeniable fun, Christopher Durang’s play feels somewhat quaint a decade or so since it was written.
The excellent ensemble of Huntington Theatre Company actors, fittingly, work well as a team.
The script is representative of the pitfalls of current theatrical minimalism — less can so easily be less.
“Arts Fuse” theater critic Christopher Caggiano, among others, found that the new Broadway musical “Water for Elephants” “has very little going for it.” Let’s agree to disagree
“I believe folks coming to the theater will have a great time, they’ll learn about the Negro leagues and about a phenomenal woman.”
The spring season has yielded a sizable crop of musical revivals. But how many of them actually bear fruit?
Arts Commentary: The Orchestra Gap — Europe vs. the US