Theater
Dramatist Lloyd Suh takes us on an inner journey by weaving silences into his script that encourage his characters (and us) to reflect and pause.
Murder mystery and farce can coexist in the same play… for a time, at least. Eventually, the two will pull apart, however, as they do in this production.
A Stephen Sondheim flop returns in triumph, while his final show tantalizes with what could have been.
This well-directed and performed production of a musical about the universal longing for connection delivers a stirringly heart felt experience.
This “Rocky Horror Show” for the Gen Z set contains (at least potentially) enough flash and zap to successfully put across a new take on a campy cult classic.
The “new” version of the Blue Man Group is all mayhem, all the time.
The late Robert Brustein’s shadow is long. But his legacy is problematic.
Even before the lights come up on the remarkable new production by Moonbox Productions, it is clear that this is a “Sweeney Todd” of a different order.
Assassinations may be so-last-generation, but gun violence, and what it reflects about American culture and human depravity, defines our own era as much as any.
Arts Commentary: More Cultural Coverage — But Less Culture?
The journalistic value of blathering out weekend tips to the ears of the comfortable in a social media world awash with likes is dubious.
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