Theater
“Arts Fuse” theater critic Christopher Caggiano, among others, found that the new Broadway musical “Water for Elephants” “has very little going for it.” Let’s agree to disagree
“I believe folks coming to the theater will have a great time, they’ll learn about the Negro leagues and about a phenomenal woman.”
The spring season has yielded a sizable crop of musical revivals. But how many of them actually bear fruit?
This superb Speakeasy Stage Company/Front Porch Collective co-production is emotionally charged and immediate, intent on keeping the material fresh and raw.
“Clue,” a whodunit board game-based comedy, rolled the dice and found success by bypassing Broadway and going directly on tour.
It’s an old tale, we know how it’s going to end, but we tell it again all the same
“We need hope in the possibility of change in order to survive what’s coming.”
You either go full Hollywood CGI, or you pare it down to the poetry of it.
It’s not hyperbole to suggest that Dan O’Brien’s “True Story: A Trilogy” represents a distinctive achievement in theater history.
The Lyric Stage Company production almost meets the challenges posed by this delightfully inane musical farce.
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