Review
The Lunchbox is that rare film experience that stays with you, makes you think about its multi-layered, subtle performances and storyline, and forces you to see it again.
The conceit of “On the Verge” is fascinating, inviting us, as all first rate speculative or science fiction does, to see our past through different lenses.
Fred Turner’s counterintuitive and subtle argument in The Democratic Surround draws a direct line between the design of museum exhibitions and the Be-Ins of the Summer of Love.
I love an album that ends with a bang – and The Swans’ To Be Kind ends with four.
Futurism, as the Italian proponents conceived of it, ended up not having much of a future. But its practitioners had some good days at the beginning.
It is encouraging to see new plays that tackle substantial social problems.
Icarus proffers plenty of spectacle and talent, but the show only recycles a story we’ve seen countless times on stage and screen.
Were there no men available for the roles of Touchstone and Jaques, or was the intention to showcase more of the gifted women who are members of the ASP troupe?
Louis C.K.’s “Louie” is a master class in straddling highbrow and lowbrow.
The Annual Francis Davis Jazz Critics Poll at Mid-Year: Warming Up a Riff — How It Happened, and Why It Matters