Review
Not surprisingly, nearly half of the band’s 20-song set Thursday night was made up of “AM” songs. Despite the quality of the quartet’s first four albums, nobody seemed to mind.
Read MoreMost everyone has heard the faux-scandalous name. What has not been heard enough is that Pussy Riot are the purest and most potent expression of the punk-rock ethos ever.
Read MorePianist Benjamin Hochman is a musician who’s interested in insightful programs that can be provocative, speak across centuries, and engage the mind as much as they delight it.
Read MoreI get why Compagnie Käfig’s Correria/Agwa has been booked onto stages in 15 countries and counting. But the troupe’s polished athleticism comes at the sacrifice of hip hop dance’s precious anarchy.
Read MoreAaron Swartz is indeed a martyr, but there’s more here. The film identifies an ongoing battle over control of information as much as it explores a troubled life that ended far too soon.
Read MoreThere is more than one way to tell the truth, “The Good Lord Bird” reminds us again and again, and many reasons to cloak it in humor.
Read MoreWhen the septuagenarian protagonist of this novel finally gets out of her claustrophobic apartment, everything changes.
Read MoreBSO’s conductor emeritus Bernard Haitink may be best known for his interpretations of Austro-German repertoire, but, on Saturday night, he channeled his inner Francophile.
Read MoreClaire Kilroy’s dark and fantastical comedy “The Devil I Know” nails the greed and rampaging ambition of the corrupt avatars of “the new Ireland” — developers, bankers, and government pooh-bahs.
Read MoreI cannot express my love for “Angel Guts : Red Classroom” strongly enough. At the very least, it’s necessary listening for anyone with an interest in “no wave” and avant-garde music.
Read More
Recent Comments