Review
We become participants in a chapter of American art history that raises important questions about what fame means, how much a part luck plays, and how we treat our artists. .
Read MoreThe men are portrayed as comically irrelevant — and this is refreshing given the phallocentric alpha-male angst that has been TV fodder so often before.
Read MoreSeeing Exhibition is like spying through a window on our most glamorous neighbors moving about their flat: it’s kind of kinky, kind of fun.
Read MoreBecause of the national tension between the Tutsis and the Hutus, and its effects on everyday routines in the school, this novel cannot long remain a bemusing tale of adolescent life.
Read MoreImagine Yourself in a Free and Natural World finds B L A C K I E reaching an ambitious artistic high, delivering potent pieces of jazzy discord that impressively conflate the barbaric and the beautiful.
Read MoreDirector Eric C. Engel and the Gloucester Stage Company cast gives Fences an insightful and nuanced production.
Read MoreDespite a few clichéd moments, Land Ho! is the satisfying product of the natural grace that Aaron Katz and Martha Stephens have developed as filmmakers.
Read MoreIt was good to see Martha Davis and The Motels with a full house at Johnny D’s, especially since the group clearly has life in them.
Read MoreThere are some fine moments in Re:Group Theatre’s production of the epic A Texas Trilogy, but there are also many limitations.
Read MoreThough it doesn’t seem that Chicago will ever shake up their setlists or rediscover their original mission, at least they can still sneak just a little Varese in with the hits.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues