Review
It’s not by accident that some of the greatest coming-of-age stories are concerned with deconstructing social stereotypes.
How can you act sanely when your country is brazenly committing genocide? Many of us didn’t.
With this one project, Boston has gone from a public art also-ran community to a serious cultural player.
The 18th Annual Jewish Film Festival approaches its end with two compelling cinematic looks at Jewish history.
The New Orleans JazzFest is made for omnivorous gluttons, which makes it a perfect complement to the region’s cuisine.
It is Kristen Wiig’s committed performance, along with director Shira Piven’s skill at comic timing, that grounds the satiric comedy’s absurd premise.
À la Vie, screening as part of the 18th Annual Jewish Film Festival, is easily the best film I have seen so far this year.
Radius Ensemble’s final performance of the season touched on examples of musical fantasy, worldly angst, and spiritual transcendence.
I wondered why the Elders Ensemble program so consistently portrayed the elders as somber and withdrawn.
Both of these entries in Jewishfilm 2015 have their entertaining moments, but the movies ultimately fail to deliver.
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