Review
Just about anything Isabelle Faust touches these days is gold – she’s one of the finest violinists out there
It’s the rare breed of rock band that makes such meaningful music so deep into its career.
Israeli Stage has opened its sixth season, which is dedicated exclusively to female playwrights, with a haunting work that examines the complicity of an ordinary German in the Holocaust.
Boston Ballet’s reconstructed versions of Yakobson’s Pas de Quatre and four Choreographic Miniatures were a revelation.
The Huntington Theatre Company’s magnificent production of Stephen Sondheim’s masterpiece A Little Night Music is as good as it gets.
Rarely is an actor so completely miscast in such a pivotal role.
Gloucester Blue is a lively play whose glow is generated by the spirited, tragicomic performances of a cast that obviously delights in performing it.
Massenet’s instinct for drama and gifts as an orchestrator go a long way to carrying the piece, but it still can make for a long night at the theater.
In appropriate, a talented young playwright turns mischievous literary homage into a work of exhilarating entertainment.
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