Review
There is plenty of comedy in this horror film: think A Midsummer Night’s Dream meets I Love Lucy.
This canny writer is concerned with the kind of complicated family relationships that engaged his Jewish literary forebears.
I can’t quite believe I’m cautioning viewers about the troubling nature of a documentary about tickling.
This production of Driving Miss Daisy isn’t about conflict and irresolution, but sentimental reassurance.
Director Nicholas Winding Refn has turned the dark side of modeling into a horror film, one that will no doubt generate plenty of controversy.
Patrick Gabridge’s political satire presents some intriguing sci-fi-like concepts, but the play falls into too many narrative potholes.
Former Newsweek bureau chief Joshua Hammer has documented a timely story of cultural heroism.
There is nothing quite so exhilarating as watching Shakespeare done right – except, perhaps, watching one of his plays done right, twice.
Wild Williams is a marvelous antidote for the formulaic.
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