Review
From the opening moment of this show, suspension of disbelief flies out the window and never returns.
Dan Hodge turns two hundred and fifty stanzas of Shakespeare’s rhyme royal into the stuff of a high-class poetry slam.
Antoine Volodine is a master of the prolonged, very prolonged, tongue-in-cheek spoof. But he is also dead serious.
Makine may be plagiarizing himself, which is a perfectly legitimate thing for a writer to do, but scenes of spring snow and railroad stations become clichés even in talented hands.
Simplicity is the key to director Scott Edmiston’s passionate vision for this musical.
Love and Money is a short play, lengthened beyond one-act duration by stuffing a Cole Porter interlude into its middle.’
Claims that Stephan Micus erases international boundaries and makes one-world music get it backward. You visit his world on his records.
John Taylor introduces readers to an amazing array of sensibilities and life histories in a babel of languages from an atlas of nations.
Design Review: The Look of the 2026 Milano Cortina Winter Olympic Games