Review
My biggest gripe is with a central tenet of Jonathan Franzen’s fiction: communication between generations is impossible.
Doug Varone’s strong sense of design, color, and music lends depth and a certain mystery to his dances.
Despite the dazzling rewards of this virtuoso Underground Railway Theater production, Copenhagen short circuits its central theme.
If the first episode is any indication, season two of FX’s Fargo is going to be an almost pitch-perfect sophomore effort.
This gem of a play that is guaranteed to make you gasp at its surprising conclusion and leave the theater reveling in its lush language and the outstanding performances.
The laughter in the production serves a useful purpose: it distract us from the serious narrative problems in Caryl Churchill’s script.
Filmmaker Alexandra Anthony’s ambitious debut documentary was, in essence, fifty years in the making.
Harold Pinter’s language can be enigmatic and deliberately bizarre, but it suggests arcs of passion and desire.
Clive James gets the most out of whatever’s on the page and isn’t shy about making larger connections.
The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues