Review
MJ Halberstandt’s script is at its strongest when his characters, and how they connect with each other, are the focus.
Lisa Dwan’s performance of these Beckett pieces in a totally darkened theater is powerful and, in the case of Not I, deliciously revelatory.
Jim Harrison’s prose is gorgeous, illuminating. The simple language slides into your head and resonates there.
Kent Nagano’s return to Boston revealed him to be a fully mature world-class conductor.
Sunday’s concert was highlighted by the world premiere of Bernard Hoffer’s ballet after Longfellow’s Paul Revere’s Ride.
In the Shadow of Women is obviously meant to be a throwback/homage to the French New Wave cinema of the early to mid-1960s.
Lawren Harris is determined to present a static vision of the top of the continent, a version of nature that is stylized, austere, immobile, and eternal.
In this enjoyable novel, Martin Suter has chosen to sidestep depth in favor of colorful characters fine-honing their hopes and dreams..
Koubi’s piece overturned expectations in so many ways it could be called innovative, groundbreaking.
August Wilson’s dramatized autobiography, thanks to the magnificent actor Eugene Lee, is a stirring experience.
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