Review
BODYTRAFFIC seems to be invested in a relentless likeability.
In the Piano Concerto, Ferruccio Busoni seemed to want to have the final word in the tradition of the Romantic concerto.
This is music that says things that cannot be said any other way, music that cannot wear its heart on its sleeve.
Mr. Gaga is a sensitive and engaging documentary of an Israeli artist.
Nora Theatre Company’s thoughtful production of Precious Little will encourage you to dig a little deeper into yourself.
Two fine new plays in New York meditate on dealing with mortality.
Marcel Pagnol’s great Marseille Trilogy is a tragicomic love story set on the bustling, sun-drenched docks of a Mediterranean port.
Grand Concourse does wondrous things: it encourages us ponder our own growth toward faith while emphasizing with the struggles of others.
The ART presents a staid production of Tennessee Williams’ talky chamber play about wanderers struggling to be released from their pain.
Visual Arts Commentary: The ICA — The Limits of Being an Icon
The nagging question: why didn’t the ICA didn’t create a building that offered options to be developed vertically?
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