Review
Bill Maher’s once robust contrarian streak has shriveled over time.
Pianist Ahmad Jamal rose to fame by doing something completely different.
Conductor Yannick Nézet-Séguin does dazzlingly right by the symphonies of Mendelssohn.
Given the country’s current existential crisis, this genre-bending, ambitious-to-the-max debut novel about an uprising in Puerto Rico comes at the perfect time.
A wonderful new performance of Mahler’s three orchestral song cycles; Daniel Reuss’s account of the oratorio Le Roi David is basically flawless.
Fresh Ink Theatre is to be applauded for taking risks, for daring to mix it all up, for giving audiences a taste of what theater, shelter-skelter version, can be.
The interviewees sound warnings about how we have self-sorted, online and in the real world, into echo-chamber communities of like-minded people.
So now you know: Saddam’s fearsome weapon of mass destruction was a novel.
Violinist Sebastian Bohren’s album is uneven; violinist Isabelle Faust and pianist Alexander Melnikov have produced a wonder.
Nick Payne’s fascinating Constellations takes the cosmic paradoxes of time head on.
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