Review
Allegra Libonati has assembled a mostly excellent cast for what at first glance should be an evening of quality Bardic entertainment.
Naomi Klein argues that the more anxious we are, the more vulnerable we are to politically opportunistic manipulation.
Hudson serves up varied, fresh, and exciting free jazz that imaginatively draws on rock, funky blues, and folk music.
Landline is a textured, often funny and subtly acted portrait of a family experiencing rumblings set off by sexual affairs.
I enjoyed the working-out of all this material, and the beautiful dancers, but I sometimes felt I was back in the consciousness-raising ’60s and ’70s.
With Vibrations: A Sound Experience, Boston CyberArts continued to live up to its demanding mandate — to expand our artistic horizons.
It’s probably unfair, but attending the Flaherty, I kept seeing in my mind the pig Napoleon and his attack dogs in George Orwell’s Animal Farm.
It is my sad duty to report that an evening which looked so promising was hardly a worthy homage to an important musical figure of the 20th century.
This is a masterful production of Sarah Ruhl’s sparkling update of Commedia dell’arte.
Dave Hanson’s comic confection, Waiting for Waiting for Godot, is generating plenty of giggles in the back room theater at Club Café.
Recent Comments