Review
The CTC’s first production of the summer is an unqualified delight.
The history and process of judicial selection — dispassionately detailed.
Focusing on these indomitable and sometimes troubling women, Fought has written an engaging book that is compelling, sometimes even fierce.
The idea of the project is to cross-fertilize new dance in the two cities (Boston and New York) by presenting choreography in cabaret settings.
Flawed and perhaps overwrought, The Whipping Man is worth watching because of the intensity of its individual scenes.
Chock-full of truly delightful music, the production scores as yet another BEMF opera triumph.
Two stories about how a public process, because of politics, can make it very difficult, and costly, to connect two points.
These are men who appreciated women for their bodies, athleticism, motherhood, intelligence, and humor – all reasons to celebrate this show.
Film Commentary: Death Knell for American Independent Cinema?
The well has evaporated for much of new American independent cinema.
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