Review
What follows is a succession of images and tableaux static enough to make Michelangelo Antonioni look like an action-movie director.
The biography offers a fascinating look at Frances Coke Villiers’s tale of rebellion, the plight of a memorable woman during a tumultuous time.
It’s clear these four musicians love playing together. As long as the magic lasts, it’s well worth your hearing.
This staging, in terms of quality, surpasses any previous Flat Earth Theatre production I have attended.
Oscar Wilde’s life might have been tortured, but the writer never believed he had been disgraced, only rejected.
A terrifically fun — when not spine-tingling — exhibition of horror and sci-fi memorabilia.
Lucky is a showcase for Harry Dean Stanton’s unique talents, which primarily lie in his inhabiting roles as an amped-up or quirkier version of himself.
An outstanding production of a Stephen Sondheim musical that was initially thought to be a misfire.
In two new releases, Jane Ira Bloom and Brian Carpenter complete their work on self-defined projects that are tonics for a time of trouble.
The Monks were, and to some extent still are, the quintessential cult band.
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