Review
Sutra was a curious mix of reverence and virtuosity, lavish movement and intricate music — over an hour’s worth of changing forms. I found it intriguing and untrackable.
Gibney’s volume offers a wide range of readers with an introduction to the complexities of Irish history, including questions of what exactly constitutes the national history itself.
The delightful Wadsworth installation is a fitting setting for the beloved artist and illustrator and the work he himself loved.
The Lyric Stage production of Anna Christie does right by Eugene O’Neill’s brilliance.
In You Were Never Really Here, Lynne Ramsay’s themes of alienation, violence, guilt and redemption are once again present, albeit in a more frenetic form than before.
This is a sound I’ve never heard before at a chamber concert: over twenty musicians breathing in unison.
Iranian director Abbas Kiarostami’s last film is made up of a series of sometimes resplendent, sometimes disappointing, images.
There were the inevitable crowd-pleasers on which Audra McDonald puts her impassioned stamp.
The Rosenbergs is small in scope but large in ambition; it is an accomplished and moving opera that demands attention.
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