Review
A consistently engaging and engaged, insightful, humorous, scarily moving, polished contemporary drama with a premise to die for.
A trio of illuminating documentaries, their topics ranging from the struggles of a local newspaper to the days of public access cable television in New York City.
The point of a novel like this: Life is messy, but glorious. Kind of like “The Hadacol Boogie”.
The film urges the audience to take action against AI, but it is too symptomatic of today’s paralysis to be of as much help as it would like to be.
As this duet unfolds, it opens the way to musings about how a bed is a human-sized rectangle on which are projected dreams and nightmares, sexuality and erotic boundaries.
This exhibit is a fair reflection of the museum’s desire to spotlight work by artists who have traditionally been neglected by the museum world.
“Magellan” circles the world and the world circles the drain.
The members of Dave Douglas’ quartet members are alertly sensitive to each other and unfailingly intelligent in their choices, which makes them fun to hear.
Despite an excellent cast, impressive production values, and the thrilling music at its heart, “The Choral” often feels as if it is trying to be several films at once.
Is it possible to separate the art from the artist or, in the case of Rhode Island’s Contemporary Theater Company, the artist’s husband?
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