Review
I Called Him Morgan has been lauded as one of the best films of the year, and rightfully so.
Dominique Abel and Fiona Gordon’s vision tries to elevate the everyday to a realm of magic by way of the absurd.
To their credit, replacing Freddie Mercury is not something his surviving bandmates have ever tried to do.
Detroit leaves the ethical questions it raises open.
Ettore Sottsass saw design as more than just an aesthetic achievement: it ideally served up an indelible experience.
This book captures — beautifully — poet John Ashbery’s youth and dreams and struggles.
Allegra Libonati has assembled a mostly excellent cast for what at first glance should be an evening of quality Bardic entertainment.
Naomi Klein argues that the more anxious we are, the more vulnerable we are to politically opportunistic manipulation.
Hudson serves up varied, fresh, and exciting free jazz that imaginatively draws on rock, funky blues, and folk music.
Landline is a textured, often funny and subtly acted portrait of a family experiencing rumblings set off by sexual affairs.
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