Review
As Alex Honnold observes, if he solos El Cap, it’s like winning a gold medal in the Olympics. But there’s no second or third place. If he fails, he dies.
The Verona Quartet is certainly worth watching, above all for the intimate way in which they communicate with each other and with the audience.
Steven Barkhimer’s mastery of the role’s physicality is the key to his expression of its villainy.
Shange’s nervy mix of wordplay and in-your-face didacticism — of resilience in the face of hardship — is very much the empowering thing.
Lost Laughs is an absorbing examination of the dark side of American celebrity.
I’ve never run across music like this and never had even a platonic notion of what such a hybrid would sound like.
It’s hard to sit through these six masterpieces and not feel, for the moment, that life is really good.
Del Toro creates a visually intriguing world, but the story’s premise is too farfetched to work.
A devastating piece, given the recent mass murder in Parkland, Florida, but DeKalb Elementary unfolds with an almost eerie calm.
It was supposed to be an evening of sheer virtuosity, and that’s what it was.
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