Review
On the occasions that Bob Weir and Phil Lesh performed as a legitimate duo the concert attained some of its more transcendent peaks.
The documentary Bombshell illuminates Heddy Lamar’s enigmatic legacy with gentle scrutiny and justifiable awe.
From a compositional standpoint, too, Chamber Dance is an example of Tower at her engaging best.
The White Card‘s examination of white philanthropy and racism stays well within the comfort zone.
The music on Accent’s album is lovely and the singers render the arrangements with skill and commitment.
To mark the hundredth birthday of Charlotte Salomon, who is emerging as one of the 20th century’s great artists, come two fabulous volumes dedicated to her work.
Their combined sound, made by two nested pianos, their lids off, aided and abetted by Jordan Hall’s superb acoustics, was irresistible.
It is proof of the translators’ skill that Krasznahorkai’s sentences work as well as they do.
Singer Sara Serpa refracts, bends, suspends, and shifts sounds and syllables, creating a kind of linguistic limbo.
Schimmelpfennig’s Winter Solstice is an important play by a major playwright.
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