Review
David Lang’s score is hypnotic, and Emmanuel Music’s quartet of singers gave wonderful renditions.
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Top Girls’ conflicts and political themes seem more relevant than ever in this excellent production.
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The Villains’ Supper Club supplies an engaging and funny twist on the superhero mythos, plus a smart, refreshing look at the tribulations of working mothers.
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The script is symptomatic of the Trump era: a passionate rejection of the “politically correct” pushes warriors for “freedom,” as well as voices of radicalism, into morally despicable positions.
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The Birringer Duo’s disc is a terrific, engaging release, The Colin Currie Group’s performance is nothing short of a powerhouse, and pianist Liza Stepanova plays with lots of character and color.
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For me, the experience of watching Roseanne is annoying and unpleasant.
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The Boston Symphony Chamber Players gave a very satisfying performance of eclectic musical material.
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Peter Oundjian and the Royal Scottish National Orchestra deliver a great album, smartly programmed and played to the hilt. Leonard Bernstein’s live Mahler was often electrifying; this performance, even with some cracked notes and hairy transitions, certainly is.
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Nausheen Eusuf’s deep affection for language and sound is omnipresent.
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New Yorker critic Alex Ross has called the LAPO the best orchestra in the country and that appellation seems about right.
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler