Review
American Moor sheds considerable insight into the tension between actor vs. director, into the power play between the two, and who will ultimately prevail.
Via Ray Bolger’s trajectory we traverse the boards of Broadway and the silver screen of Hollywood — as well as the smaller, but equally thrilling, milieux of nightclubs and television studios.
The Clearing pulls off an impressive challenge for a historical drama: it examines humanity’s weakness in the face of prejudice in a way that is not only faithful to the time period but unmistakably timely.
L. M. Brown writes with a sure hand about men and women beset with dreams and longings, who fall in and out of love with each other, and who harbor secrets that shape their lives in unpredictable ways.
Of course, there can be no happiness in America without lots of corporate support.
Pakistani-born artist Huma Bhabha is still very much at the edge of edgy; Georgia O’Keeffe much less so.
This mysterious dance may have no meaning at all beyond its cryptic theatricality and movement. Or it may mean a lot.
MassOpera’s updated version of Die Fledermaus pulls off a major feat.
Crashing shows us how Holmes’s innate sweetness and affability carries him through the awkwardness and indignities of being a working comedian.
A freshly thought through, energetically executed Berlioz disc; a lovely album that contains excellent performances of underperformed and unfamiliar repertoire that deserves to be heard and championed; a fine, sometimes inspired account of Respighi.
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