Review
Director Howard Hawks’ signature statement was the depiction of the American (or mostly American) male group with a task to accomplish.
The guy who once seemed dangerous and mysterious as frontman for Jane’s Addiction proved earnestly accessible to fans.
Perhaps this review is an autopsy for which I offer an apology.
For all its bite, Fall is oddly endearing, too, leavening its harsh portrait of money-madness with aw-shucks moments of solidarity and kindness.
John DeLorean remains an unwieldy figure whose story is difficult to frame — the new film leaves much unreported and unexplored.
This entertaining opera is a real soap opera, given that it chronicles the fallout of the passionate protagonist’s unrequited love.
The Dead Don’t Die is a satiric trifle, but a cleverly amusing one.
Pacific Overtures offers a history lesson — but it is an entertaining, moving, thought-provoking, and timely one.
It’s an uncommon pleasure to see band members enjoy themselves the way Tip City did.
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