Review
Gallim specializes in depicting raw emotions through movement.
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Playwright Rachel Bonds has written an often-hilarious script which nonetheless deals with such serious and widespread issues as spousal and child abandonment, drug addiction, the right to death with dignity, and same-sex adoption of children.
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After the Wedding never finds its emotional rhythm; melodramatic confrontations about betrayals and past choices lurch clunkily along.
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Following a very compelling second season, the series seems to be losing its edge, slightly, though only intermittently.
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Now more than ever, “the people,” of all ages, want Queen. How lucky we are that Lambert, May, and Taylor are willing and able to deliver.
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Greater Good is a fiercely compelling piece, confronting its audience with a complex exploration of some of the most pressing issues of our day.
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If, like me, you tend to see laughter as a form of catharsis then a serious question is raised: is laughing at nihilistic humor all that healthy?
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“It’s not something to be tolerated,” saxophonist Kamasi Washington said. “It’s something to be celebrated.”
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Quentin Tarantino delights in exhausting his audiences as much as he does in entertaining them.
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A genre debut as self-assured as Luz is always exciting.
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