Review
George MacKay’s astonishing turn lifts 1917 from pyrotechnical marvel to a shattering emotional experience.
Audiences knew (or at least thought they knew) something was up, and that something was what made these performers unique.
We are seeing some very fine horror these days. You can’t throw a (fire) stick without having it land in some rotting corpse, a spooky cave, or in a serial killer’s cup of coffee.
If this collection has one failing, it is its attempt to make Flannery O’Connor into something she was not: “woke.”
Following the stories of these unique, gifted, and sadly overlooked individuals can be as gripping as the music they made together.
It’s Walker Percy’s subversive strategy to stick us with a decided non-hero and have us gradually appreciate his non-participatory status.
This fascinating exhibition surveys the entire history of the National Academy membership and, almost incidentally, provides a potent cross-section of the history of American art and its discontents.
This CD with British pianist Stephen Hough is a gem — and it was named Recording of the Month by Gramophone Magazine.
In Fabric is a mesh of black comedy, horror, and art house psychedelia. I found it wildly original.
The Arts Fuse Mentorship Program invites high school students from diverse backgrounds (in this go around from Somerville High School) to team-up with Arts Fuse critics.
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