Review
Desperate times, desperate measures.
This was an enormously exciting production of Merchant of Venice, a reminder that theater can be (in fact, must be!) nervy.
This carefully-crafted chamber piece revolves about a woman whose compulsion to eat non-edible things is both fascinating and disturbing.
Marvelously acted and directed, First Cow is a masterpiece that dramatizes how struggle and adversity are part of the human comedy.
At its best, The Slow Rush features catchy, energetic, and danceable tracks at the service of lyrical ruminations on dark topics, such as uncertainty and the inevitable passage of time.
Adam Sherman, Cambridge-based musician, voice teacher, and vocal coach never went away.
Dominique Morisseau’s earnest Pipeline is a “message” play, American style.
It was a treat to see Camille A. Brown & Dancers inhabit (and elaborate on) a number of different African American dance traditions with such winning ease and grace.
Luna Nera is mainly produced and written by women and proffers a satisfyingly feminist, woman-centric aesthetic — as witch narratives seem to do more and more these days.
Book Review: “Tightrope” — A Wake-up Call for America
What makes this book so necessary is that these are writers willing to state realities that members of both parties prefer to keep under the rug.
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