Review
Isabelle Faust makes Arnold Schoenberg’s thorny Violin Concerto sing; Mariss Jansons lends heft to Saint-Saëns’ Symphony no. 3, and John Wilson continues to be your go-to conductor for Erich Wolfgang Korngold.
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English writer Ian Shircore’s book-length study gives Clive James’ poems the loving attention they deserve.
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Akademie für Alte Musik Berlin’s pairing of Beethoven with Knecht is intelligent, programmatically and musically, but Thierry Fischer’s Symphony fantastique is a disappointing misfire.
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Netflix’s Ares is a glossy sociopolitical/supernatural thriller from the Netherlands.
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Last Desert proves that guitarist Liberty Ellman and his group can dance when they want
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Little Fires Everywhere borders on being binge worthy; it’s a shame Hulu didn’t release all the episodes of the series at once.
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Eschewing ostensible flash and musical sleight of hand, Without Deception is a treat for connoisseurs.
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Whatever might be dark about these stories may also be — since they’re reliably witty and frequently very funny — a welcome distraction and relief from current events.
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The practice of re-using large chunks of an opera for a new plot and new words may sound implausible to us, but in Rossini’s hands the result is delightful and surprisingly coherent.
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This new series will offer ideas for movies and series that have stories or themes at least marginally related to the pandemic we’re all living through.
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