Review

Television Review: Hulu’s “Love, Victor” — Coming Out, Made Complicated

June 19, 2020
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It has its flaws, but Love, Victor is a fun teen rom-com hat isn’t entirely rosy.

Film Review: “There Are No Lions in Tel Aviv” — The Story of Rabbi Doolittle

June 19, 2020
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This is one of the best documentaries I have ever seen, one that I plan to view again and again.

Film Review: “Proud” — What It Means to Exist as a Gay Person in France

June 19, 2020
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Proud excels when it makes the political personal, utilizing its characters as affecting markers for changing minds and hearts.

Jazz Concert Review: Livestream — Billy Hart Quartet at the Village Vanguard

June 18, 2020
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The exhilarating power of live music in a small club blazed forth whenever the momentum built loud and hard toward a stirring transition.

Rock Album Review: Larkin Poe’s “Self Made Man” — Bursting with Defiance and Muscle

June 17, 2020
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Self Made Man is a perfect piece of music for anyone eager to push, shove, jump, and shout after months of being told to stay put.

Book Review: “Pizza Girl” — Savor Every Bite

June 17, 2020
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In her novel Pizza Girl, Jean Kyoung Frazier has given us an exhilarating spin on a long line of road-rebel mothers.

Jazz Recording Review: “If There Are Mountains” — An Instant Classic

June 17, 2020
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There’s much to admire in If There Are Mountains, modulated pathos as well as subtle joys.

Film Review: Spike Lee’s “Da 5 Bloods” — Reunion and Redemption

June 16, 2020
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Spike Lee examines a number of racist stereotypes that illuminate the times these men lived through, the bigoted conditions of their service and sacrifice, and their continued struggle for respect and parity.

Concert Review: Ticket to Park — Johnny A Plays the British Invasion Songbook at the Tupelo Drive-In

June 16, 2020
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A by-the-carload ticket gets you a spot in the Tupelo Music Hall parking lot and an empty space next to it.

Book Review: “The Unsuitable” — A Super Female Superego

June 15, 2020
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The text is littered with accusatory, staccato lines from mama Wince, whose conversations with her daughter achieve Carrie-esque arias of passive aggressiveness.

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